TORRENT

22/21

Paul King, the director of the previous two films, decided not to direct this installment

Scenario

Paddington returns to Peru to visit his beloved Aunt Lucy, who now lives at the Bear Retirement Home. The Brown family embarks on an exciting adventure when a mystery throws them on an unexpected journey. However, he came up with the idea for this third film and was involved in its production as an executive producer. Paddington in Peru (2024) isn’t as good as Paddington 2 (2017), but it’s also not as big a step back as some of the early reviews led me to believe. For the most part, it’s still a fun and pleasantly polite experience that’s as enjoyable as it is lively.

their natural environment to explore the still-unknown origins of the main character

While the more standard adventure story is less eccentric than the vignette approach of the first two films, it still works well enough in this context, allowing its lovable characters to continue to charm even as they’re subjected to a classic serialized narrative that takes them out of their element. There are plenty of funny moments and the film is good-natured from the very first shot. It’s a truly beautiful film, and sometimes that’s all you need. What it lacks compared to its predecessors is a strong emotional core. While some of its moments are touching, the plot isn’t particularly moving and doesn’t bring tears to your eyes.

Despite a few problems, there’s still more than enough to go around

Furthermore, some of the character work is rather superficial and, as my brother noted, feels almost like a forced afterthought. The storytelling is generally rather conventional, following a formula almost down to the smallest detail. It’s quite predictable and feels relatively generic, almost as if it was retrofitted for Paddington after the basic elements had already been established. The delightful cast is as strong as ever, with a couple of wonderful new additions (Antonio Banderas and Olivia Coleman) who shred the scenery with glee whenever needed. The special effects are consistently good, bringing the titular bear to life in a way that’s believable enough to make it seem like he’s never actually in the same place as the other characters.

It’s a really good time

Of course, when he’s not on the red carpet, he feels like someone is missing. The film is light and snappy; it flies by and is generally a lot of fun. It’s packed with gags, both visual and dialogue-based, and slapstick scenes that will leave you in awe. Ultimately, this is a perfectly decent addition to the series, well-crafted and consistently entertaining. It’s unfortunate that it follows Paddington 2 (2017), because it could be argued that it’s the best – or at least the most universally appealing – film of all time, because it’s a really great family film.

It’s much better than many similar films

If you’re expecting the best film of all time (again) or even the second best film of all time, you’ll obviously be disappointed. But it’s a rock-solid performance that’s charming and funny in practically every scene. If you’re not expecting a miracle, I think you’ll be pleasantly surprised.

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